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Harris Aims To Become “One”

Product and brand integration are the pitch for NAB

By Glen Dickson -- Broadcasting & Cable, 2/19/2007

Sidebars:
Panasonic’s New P2 Card, Camera

Echoing a popular U2 refrain, Harris Corp. says it will market itself as “One” in the new year, part of an effort to show that it touches virtually every part of the broadcast workflow, from graphics tools to transmission equipment, with the notable exception of cameras.

Harris says its new structure should eliminate interoperability issues, simplify life for stations and networks, and streamline marketing under one brand. The company is still working to integrate the products it gained through a string of acquisitions since 2000: automation vendor Louth, traffic supplier Encoda, infrastructure vendor Leitch, encoding manufacturer Aastra and traffic vendor OSi.

“It is not our plan to run it as a portfolio of independent businesses but as an integrated-workflow model,” says Tim Thorsteinson, president of Harris’ Broadcast Communications Division.

He says the broadcast division, which has more than $600 million in annual revenue and spends some $100 million on R&D annually, is open to further acquisition if it “allows us to bring more products to market or broaden our customer base.” He adds that Harris has changed its sales approach to an account-management structure, under which one salesperson sells “a whole solution” as opposed to individual sales people handling different product categories.

One of Harris Broadcast’s strengths, of course, is that it itself is part of communications conglomerate Harris Corp., which serves a variety of government and commercial markets and has more than 13,000 employees worldwide. Harris Corp. has “had a great five-year run,” notes Thorsteinson, growing annual revenues from $1.8 billion in 2002 to $3.47 billion in 2006 and posting $237.9 million in net income, versus $82.6 million in 2002. In that same period, its stock has climbed from around $16 to more than $50.

Thorsteinson says the broadcast-technology business in general is the best it has been in his 13-year tenure in the industry, with the Leitch infrastructure line of routers, converters and servers providing double-digit sales growth attributed to stations’ and networks’ upgrade to high-definition. For the second quarter of fiscal 2007, ended Dec. 29, 2006, revenue in the Broadcast Communications segment was $155 million, up 14% from the previous year. Orders increased 29% to $158 million from second quarter FY 2006.

For example, Harris announced that Cox Television has selected Harris’ IconStation SD/HD on-air branding system and ADC Playout Automation software to handle high-definition graphics at the 15 stations it owns and/or operates. Cox has also selected Harris’ OSi-Traffic software to manage its stations’ traffic, sales, accounting and reporting functions. That is one of 12 new sales that Harris has netted for software from OSi, a company it acquired in April 2006 for $32 million.

The one soft spot for Harris has been transmitter sales, because most broadcasters have already made their digital-TV investments and the 500 or so stations that need gear for their final digital-channel assignments have been slow to make a move. As a result, Harris is actually cutting about 150 of 700 jobs at its transmitter-manufacturing plants in Quincy, Ill., and Mason, Ohio.

“[The division]’s soon to be called something else, as 'Broadcast’ ties us back to our transmission roots,” says Thorsteinson. “While we are glad those roots are there, the business has moved significantly beyond transmitters, and we will be positioning the business a little beyond the traditional broadcast name.”

Nonetheless, Harris isn’t giving up on over-the-air–broadcast technology. Harris VP Jay Adrick announced that the company is developing a mobile-television system designed to work within the ATSC digital-TV standard. The technology, which Harris is calling “Project Eagle” for now, would compete with the A-VSB technology developed by Samsung and Rohde & Schwarz and demonstrated at CES in January.

Sterling Davis, VP of engineering for Cox Broadcasting, buys both television and radio equipment from Harris and says he is generally in favor of Harris’ efforts to integrate product lines and employ a single-salesperson approach. “I have encouraged them to do that, and I’m glad they are doing it,” he says, adding, “though they’re not done.”

 

Panasonic’s New P2 Card, Camera

Panasonic plans to push its P2 solid-state camera format for NAB with a solid-state memory card that stores 16 gigabytes (GB) of data, or 16 minutes of 1080-line-interlace (1080i) high-definition video at 60 frames per second.

The new P2 card, which doubles the storage capacity of the current, 8-GB P2 card, will begin shipping in May. It will allow P2 camcorders with five memory-card slots to record up to 80 minutes of high-definition video, dramatically expanding their production capabilities in the field.

“One of our biggest products for NAB is one of the smallest,” says Panasonic Director of Product Marketing Joe Facchini. “This essentially doubles the recording time of our P2 cameras.”

Facchini, who unveiled the 16-GB card in a press briefing last week in New York, said Panasonic should have a 32-GB card ready in November. That would allow P2 cameras to record up to 160 minutes of hi-def, which means that some customers will simply leave the P2 cards in the camera permanently and “bolt the door shut,” says Facchini.

He won’t disclose pricing for the new card but says it should cost about the same as the previous generation ($1,200 for an 8-GB card) but provide twice the storage.

“2006 was really the first year that P2 became mainstream,” says Panasonic VP of Marketing Bob Harris, noting large P2 sales to Cox Television and Fox’s station group. He says that more than 25,000 P2 cameras are in use worldwide and some 150 U.S. stations have adopted the format.

Panasonic also introduced a new shoulder-mounted P2 HD camcorder, the AG-HPX500, with some enhancements over its popular AG-HVX200 unit, including three 2/3-in. imaging chips (CCDs), 4:2:2 sampling and independent frame encoding. The new camera, which will be available in May at a suggested price of $14,000, will record in 32 high-definition and standard-definition formats and will allow a station to use a variety of compatible lenses.

Facchini says P2 solid-state cameras are outselling Panasonic’s tape-based high-definition cameras by a factor of 10 to 1, a sign that the industry is embracing file-based recording on IT-type storage.

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