Upfronts 2012: E! Set to Pop New Branding at Upfront
Network's new look and website to launch July 9
By Jon Lafayette -- Broadcasting & Cable, 4/30/2012 9:25:18 AM
Complete Coverage: Upfronts 2012E! Entertainment is expected to share its new branding, which uses the tagline "Pop of Culture," and its plans to add scripted programming to its lineup at its upfront presentation to media buyers April 30 in New York.
The network's new look -- aiming to be aspirational, fun, classy and more advertiser-friendly -- will hit the air July 9. E!'s Website is also being redone, with a new design that's flexible and interactive, featuring a new "liquid" ad format that flows to be next to appropriate content.
E! was owned by Comcast when the cable company acquired control of NBCUniversal. Following the acquisition, E! was assigned to NBCU cable chief Bonnie Hammer, who tapped marketing chief Suzanne Kolb as president. The network underwent the kind of "brand audit" that helped Hammer turn USA into the top channel on cable under the "Characters Welcome" banner.
Kolb says the audit found strength in entertainment news, live event coverage, reality and an ability to reach audiences over multiple platforms. "We're coming off seven years of record-setting growth, and so we know there's audience passion there," Kolb said. At the same time, she added, "we didn't feel like we were completely fulfilling our mission as a network, which to us is to inspire and entertain the pop culture fan in all of us."
The network attracts a young audience that advertisers like, but E! wants it to grow. "The lowest-hanging fruit is to get those people to watch more," Kolb said, adding that the network could grow its viewership by young adult men. That could also help maintain its median age of 33.
The network will expand its definition of celebrity to include the worlds of sports, politics and music, and will broaden geographically by taking in famous folks from cities other than Los Angeles. E! will offer more programming genres, including scripted series. Also in the works is another topical show.
Last week, E! signed the Kardashian family for three more years of Keeping Up With the Kardashians, but Kolb doesn't want to be dependent on the ratings they bring in. "It would be irresponsible for us not to be building other hits around them," she said. The moves have a financial upside. E! had ad revenue of $253 million and generated cash flow of $218 million in 2011, according to SNL Kagan. "I think they may be trying to broaden their demo and get their CPM up, make the network more attractive to a wider audience," said Kagan analyst Derek Baine. "They have a great brand name, and the NBCU group is going to leverage that."
The new design of E!'s website will allow it to display more content, especially video content.
"We've been doing quite well online already," says John Najarian, executive VP and general manager for digital media and business development at E!, pointing to 19 million unique visitors per month on the Web and via mobile, plus 20 million followers on Facebook and Twitter. But "you can't continue to grow unless you're constantly innovating and that's our approach," he says.
E! Online is a blog-based site, but something different was necessary. "The challenge is we have so much content. We cover all the world of pop culture. We also have a television network that has a tremendous amount of daily and weekly topical plus reality shows people are buzzing about," he said. "How do you present all of that in a way that can feel dynamic and ever changing on a website?"
What Najarian's team came up with a site that changes depending on editorial decisions about content and the user's equipment. Depending on the resolution of the users' screen, the page can be displayed in three, four or five columns. It built a flexible content management system that allows editorial staffers to decide where content goes and how many columns it should occupy. The content could be a story, video or a photo gallery. Once those decisions are made, the other content automatically reflows around the newest item.
For example, if the site is streaming a movie premiere or covering a red carpet event live, a video player can occupy the entire top of the screen. The new system also permits better dayparting, which means making Chelsea Handler clips more accessible to fans before and after her show airs.
"You can't be the pulse of pop culture without feeling like the site is alive and organic all the time," Najarian says. All that change should encourage people to visit more often. "By being as dynamic as we want this to feel, you're not just going to come in once a day and check out what happened, you're going to want to know what's happening all the time. Everybody is constantly connected, wants to know the latest, wants to see the latest and they have so many tools to get there," he says.
The new design also creates new advertising opportunities, which E! is calling liquid advertising.
"Because we're moving the content around, because we're resizing it, because the screen resolution changes, the placements of the ad flow as well," Najarian says. That means an ad that appears in a unit on the far right of the page in the morning could be on the left by lunchtime. Advertisers can sponsor a particular piece of content, and their ad moves with the content.
E! will begin pitching the site to advertisers during Monday's TV network upfront and Tuesday at NBCU's Digital NewFront.
"We think it's something that will almost solve the problem that has existed with display advertising," says Kolb. "We're a very video-heavy site as well, so we sell video advertising as well as display advertising. But obviously display advertising is a large piece of impressions that we have and we want to make sure we're reinventing that in a way that works for all."
Talkback
No related content found.
Most Popular Pages
-
No Top Articles
Featured Company
-
Digital Rapids
Digital Rapids provides market-leading software and hardware solutions, technology and expertise for transforming live and on-demand video to reach wider audiences on the latest viewing platforms more efficiently, more effectively and more profitably. Empowering applications from..more



















