Granite Tests TV Anywhere Tech
KOFY-TV, Motive Television to deliver content to multiple devices in San Francisco
By George Winslow -- Broadcasting & Cable, 5/30/2011 12:01:00 AM
Vegas PBS Streamlines Work Flow
When the public broadcaster Vegas
PBS upgrades its Medway media
transfer and format conversion software
from Marquis Broadcast to the
2.55 version in early June, the move
will once again highlight the importance
of finding ways to streamline
digital work flows and handle a wide
array of file formats.
A year ago, Vegas PBS completed a brand new facility that took the station from analog tape-based work flow to non-linear digital production. “It was a humongous jump for us,” says Reginald LaFrance, producer and director of post-production at Vegas PBS.
Reflecting back on the transition, both LaFrance and George Molnar, the station’s director of engineering, IT and emergency response, explain that a key component of their successful shift was the Medway software.
“The biggest challenge is that the world is full of formats,” says Molnar, who adds that the Medway system allowed them to more easily deal with a number of different formats and move content through production equipment that had been supplied by several different vendors. “The end result is that it has improved the quality of the product on-air,” explains Molnar.
The quality is particularly important for Vegas PBS; the facility produces content for its own channels and also works with outside companies such as A&E and PBS for series produced in Las Vegas.
The June upgrade will streamline things even further, making it easier to move content between one of the soft seats of Vegas PBS’ Avid editing system so it works more seamlessly with the facility’s other editing systems and production equipment. —GW
A year ago, Vegas PBS completed a brand new facility that took the station from analog tape-based work flow to non-linear digital production. “It was a humongous jump for us,” says Reginald LaFrance, producer and director of post-production at Vegas PBS.
Reflecting back on the transition, both LaFrance and George Molnar, the station’s director of engineering, IT and emergency response, explain that a key component of their successful shift was the Medway software.
“The biggest challenge is that the world is full of formats,” says Molnar, who adds that the Medway system allowed them to more easily deal with a number of different formats and move content through production equipment that had been supplied by several different vendors. “The end result is that it has improved the quality of the product on-air,” explains Molnar.
The quality is particularly important for Vegas PBS; the facility produces content for its own channels and also works with outside companies such as A&E and PBS for series produced in Las Vegas.
The June upgrade will streamline things even further, making it easier to move content between one of the soft seats of Vegas PBS’ Avid editing system so it works more seamlessly with the facility’s other editing systems and production equipment. —GW
Few broadcasters, however, have gone as far as Granite Broadcasting. The company recently announced it would be working with U.K. software provider Motive Television on a wide-ranging test that would deliver content from Granite’s San Francisco market indie station KOFY-TV to PCs, tablets and other devices in viewers’ homes.
Peter Markham, chairman and CEO of Granite Broadcasting, notes that digital delivery has been an important priority for the company for the last two years and in early May they launched the first apps for their local newscasts. “We want to be in the forefront of testing how we can get content into consumers’ hands in all the different ways and on all the different devices that people want to use,” Markham says.
In San Francisco, Granite will be testing an ATSC version of Motive’s TV Anywhere and its TV Anytime products. TV Anytime allows broadcasters to deliver on-demand content, virtual channel and targeted advertising into the home with their terrestrial signals. The TV Anywhere solution is a software product that allows content available on one device in the home—such as a DVR, iPad or a connected TV—to be watched on any other device via the viewer’s home network.
As part of the test, Motive will be providing homes with a set-top box and working with a research company to decide how many boxes to deploy so they have sufficient data on a variety of subgroups and demos.
Leonard M. Fertig, CEO at Motive Television, notes that their technology has already been successfully deployed in Italy on Mediaset’s popular digital terrestrial TV platform. “We had been looking for a partner in the U.S., and we are very excited to be trialing our technology in the most technologically advanced market in the U.S.,” Fertig says.
Motive is currently finalizing an ATSC version of their product and no fi rm date has been set for the trial beyond the fact that it will occur sometime this year. If the results are positive, Markam notes that they will begin deploying the technology in some of their larger markets, such as Detroit, with the hope of eventually installing the technology in all their stations that produce local news.
The test, however, raises some complex issues about content rights and potential investments in set-top boxes. While Mediaset has deployed set-top boxes for its digital terrestrial TV service in Italy, actual deployments in the U.S. won’t require large investments in set-tops or deals with multichannel operators, Fertig stresses.
Another potential stumbling block for broadcasters eyeing such services is content rights for multiple devices. Motive Television’s lawyers contend that broadcasters will not have to acquire additional content rights to deploy their technologies. “[Our] lawyers say we can do this without violating copyright laws,” Fertig notes. Some programmers, however, have taken a different view and there have already been some lawsuits filed by programmers against cable operators over IPad apps.
That issue won’t, however, affect the San Francisco trial. Granite’s indie station KOFY-TV airs no network programming and produces a great deal of original content. “We can test this without dealing with the networks on rights issues,” Markham says.
E-mail comments to gpwin@oregoncoast.com
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